Showing posts with label ayn rand. Show all posts
Showing posts with label ayn rand. Show all posts

Wednesday, July 19, 2023

The Contradictory World of Star Trek on This Day in History

Sally Kellerman and William Shatner in "Where No Man Has Gone Before"

On this day in history: Filming began on the second television pilot for Gene Roddenberry's proposed science fiction series, Star Trek, on this day in 1965. "Where No Man Has Gone Before" retained actor Leonard Nimoy as "Mr. Spock", who had played the same role in the first pilot, "The Cage", but now featured Canadian actor William Shatner in the lead role as the starship's captain.

I am a Star Trek fan, but I am a little at odds with the economics of the Star Trek universe.

From Ilya Somin:

"The Federation isn’t just socialist in the hyperbolic sense in which some conservatives like to denounce anyone to the left of them as socialist. It’s socialist in the literal sense that the government has near-total control over the economy and the means of production.

Especially by the period portrayed in The Next Generation, the government seems to control all major economic enterprises, and there do not seem to be any significant private businesses controlled by humans in Federation territory. Star Fleet characters, such as Captain Picard, boast that the Federation has no currency and that humans are no longer motivated by material gain and do not engage in capitalist economic transactions.

The supposed evils of free markets are exemplified by the Ferengi, an alien race who exemplify all the stereotypes socialists typically associate with “evil capitalists.” The Ferengi are unrelentingly greedy and exploitative. Their love of profit seems to be exceeded only by their sexism—they do not let females work outside the household, even when it would increase their profits to do so.

The problem here is not just that Star Trek embraces socialism: it’s that it does so without giving any serious consideration to the issue. For example, real-world socialist states have almost always resulted in poverty and massive political oppression, piling up body counts in the tens of millions.

But Star Trek gives no hint that this might be a danger, or any explanation of how the Federation avoided it. Unlike on many other issues, where the producers of the series recognize that there are multiple legitimate perspectives on a political issue, they seem almost totally oblivious to the downsides of socialism." Source

What makes this all strange is that Gene Roddenberry was a fan of one of the greatest defenders of Capitalism, Ayn Rand. "Roddenberry supposedly named Yeoman Janice Rand as a nod to Ayn Rand....In Gene Roddenberry's sci-fi series, Andromeda, there is a colony called 'The Ayn Rand Station' founded by a species of 'Nietzscheans.'" Source

J. Neil Schulman interviewed Ayn Rand for the New York Daily News. In that interview it was noted that "she watched Star Trek and Spock was her favorite character." Source

Thursday, February 2, 2023

Ayn Rand On This Day in History

 

This Day in History: Russian-born American writer and philosopher Ayn Rand was born on this day in 1905. Her influence is beyond question. She sold more than 30 million books, and decades after her 1982 death, hundreds of thousands more sell each year.

Caroline Breashears recently wrote about how Ayn Rand's novella Anthem anticipated cancel culture:

Recent legislators, activists, and education reformers have promised to lead us into a new world of equity. No longer will some groups have a different lifestyle from others. No longer will some groups have a different education from others. There will be reform or else, Hawk Newsome warns, “we will burn down this system and replace it.”

For a preview of these glories, we have only to open Ayn Rand’s Anthem. In this dystopian novella, collectivists achieve their ideal by burning cities and books, then implementing central planning. Now everyone is equal: equally poor, equally housed, equally limited in what they can say and do and think.

If, as Jen Maffessanti observes, dystopian fiction helps us understand the dangers we face, then none is more relevant to this moment than Rand’s novella. What Anthem clarifies is the real significance of collectivist ideals and language, which undermine not only our rights but our ability to articulate them.

Anthem opens by foregrounding the triumph of the collective through the narrator’s struggle to express and justify his thoughts. In this world, there is no “I,” only the collective “we,” which has become synonymous with good. The novel opens,

It is a sin to write this. It is a sin to think words no others think and to put them down upon a paper no others are to see. . . . And well we know that there is no transgression blacker than to do or think alone.

Only the “Council of Vocations” can approve such writing. The narrator, Equality 7-2521, struggles to conform even as he defies such rules: “We strive to be like all our brother men, for all men must be alike.” But he is not.

At six feet, Equality 7-2521 towers over other boys. His teacher warns, “There is evil in your bones.” In school, he is unhappy because “learning was too easy. This is a great sin, to be born with a head which is too quick.” How does he know? “The teachers told us so.”

Eventually, Equality 7-2521 tries to imitate the slow learners. But the teachers know, “and we were lashed more often than all the other children.” And when he turns fifteen, the Council of Vocations places him in the Home of the Street Sweepers, where he will have no more opportunities to display his “quick” mind. Equity achieved.

Anthem anticipates F. A. Hayek’s later warnings about “our poisoned language.” In The Fatal Conceit: The Errors of Socialism Hayek observes, “so long as we speak in language based in erroneous theory, we generate and perpetuate error.”

That error is evident in the use of words to convey entire moral arguments. In Anthem, “we” and “the collective” are “good,” just as, Hayek observed, “social” now designates what is “morally right.” And “what at first seems a description imperceptibly turns into a prescription”: distributive justice.

A similar shift is now occurring in the use of “equity.” According to the Oxford English Dictionary, the earliest recorded instance was from 1315, from which point “equity” has been used to mean “the quality of being equal or fair; fairness, impartiality, even-handed dealing.”

Now “equity” means the moral imperative to ensure equal outcomes, as in the concept of “educational equity”: “Equity recognizes that some are at a larger disadvantage than others and aims at compensating for these people’s misfortunes and disabilities.”

How does “Equity” do this? It “aims to take extra measures by giving those who are in need more than others who are not. Equity aims at making sure that everyone’s lifestyle is equal even if it may come at the cost of unequal distribution of access and goods.”

In other words, to achieve “equity,” the unacknowledged officials treat people unequally.

Rand’s Anthem illustrates the results generated by such committees. The Council of Vocations achieves equal lifestyles by grouping diverse people in the Home of the Street Sweepers, where Equality 7-2521’s team consists of a talented artist and a man incapable of using his broom due to incessant convulsions. Their work is uneven, to say the least.

When Equality secretly discovers electric light and brings it to the Council of Scholars, they reject his invention because he invented it alone. Furthermore, it would destroy the Department of Candles and “wreck the Plans of the World Council,” which took fifty years to approve the candle. They insist it be destroyed, metaphorically seeking to keep their world in the dark.

For the collective, the goal is control of outcomes, not freedom or human flourishing. And to maintain that control, they make sure that no one can see the truth, much less say it. In the Home of the Street Sweepers at night, the men undress silently in the dim candlelight: “For all must agree with all, and they cannot know if their thoughts are thoughts of all, and so they fear to speak.”

Over the last few months, we have come closer to Rand’s dystopia of fear, silencing, and distorted “equity.” In a recent survey at the University of North Carolina, students across the political spectrum reported that they (like the Street Sweepers) engaged in self-censorship in classrooms, remaining silent even when their opinions related to topics in class. They are afraid.

They are not alone. Online mobs are destroying careers and lives, as John Stossel observes in “Cancel Culture is Out of Control.” He urges those of us who can speak to do so.

Yet embracing free speech and other rights becomes increasingly difficult as governments push to eliminate them. Recently the California legislature passed ACA 5, which would allow for “race- and gender-conscious remedies” to correct differences in university admissions and government contracts. This measure for equity would overturn Proposition 209, which prohibits the state from discriminating against or granting preferential treatment to any group or individual on the basis of race, sex, or ethnicity.

If California’s citizens pass it, the government will be able legally to discriminate against individuals. Yet, as Rand argues:

Individual rights are not subject to a public vote; a majority has no right to vote away the rights of a minority; the political function of rights is precisely to protect minorities from oppression by majorities (and the smallest minority on earth is the individual).

Rand urges individuals to take a stand. In her Author’s Foreword to the American edition of Anthem, Rand observes, “The greatest guilt today is that of people who accept collectivism by moral default.”

If we need models, we have only to look to Leonard Read. He discovered that Anthem had been published in England (1938) but had been rejected by American publishers. Deciding it deserved a broader audience, he issued the first American edition with Pamphleteers in 1946, the same year he founded FEE.

Our own options will vary, but as John Stossel urges, those of us who can speak up, must do so. Otherwise, we face entering the twenty-first-century version of Anthem.

Caroline Breashears
Caroline Breashears

Caroline Breashers is a Professor of English at St. Lawrence University.  Previous publications have appeared in EconLib, The Journal of Ayn Rand Studies, Modern Philology, Eighteenth-Century Fiction, Aphra Behn Online, Script & Print, The International Journal of Pluralistic Economic Education, and Philological Quarterly. Her book Eighteenth-Century Women’s Writing and the “Scandalous Memoir” was published by Palgrave Macmillan in 2017.  

This article was originally published on FEE.org. Read the original article.