This Day in History: The first venereal disease clinic opened on this day at London Lock Hospital in 1747. STDs have been around for thousands of years and many of the cures that have been entertained over the millennia have been horrific and amusing. The ancient Egyptians used sandal oil and powdered cow horn. The Greeks tried washing their privates in oil, or you can have lead weights strapped to your body. If you had herpes your sores would be cauterized with a hot iron. For the longest time applying mercury to the skin was used, and there was always leeches. Lots of leeches. Perhaps that was better than slamming a big book on your genitals, which was used in Old France.
Friday, January 31, 2020
Thursday, January 30, 2020
The Croissant on This Day in History
This Day in History: Today is National Croissant Day. Although a popular French treat, croissants had their origin in Vienna in the past when they defeated the Ottoman Turks. To commemorate the event, pastries were baked in the shape of the crescent moon because that is the symbol of Islam. Even as late as 2013, Syrian Rebels banned Croissants in Aleppo because it was seen as a symbol of Islamic defeat and denigration.
Wednesday, January 29, 2020
The Raven on This Day in History
This Day in History: Edgar Allan's Poe's poem "The Raven" was published on this day in 1845, and it quickly became one the most famous poems of all time. It inspired numerous parodies in the 19th century, and since then we have seen tributes to the poem in the Bugs Bunny cartoon, Tim Burton's Vincent, The Dead Zone, Short Circuit, 1989's Batman, The Crow, The Pagemaster, Dr Dolittle 2, The Simpsons, Night Gallery, The Addams Family, Gilmore Girls, Beetlejuice (cartoon), Duck Tales, Muppet Babies, Star Trek, Mama's Family, Teen Wolf, The 100...even The Expendables. It even made it to song. Queen recorded "Nevermore" on their second album Queen II, The Alan Parsons Project devoted an entire album to Poe, The Grateful Dead performed their own version of the Raven, and Lou Reed and Blues Travelers each paid respect to the poem as well. There is an annual science fiction convention called RavenCon and also a Raven Society. The Baltimore Raven's football team is named after the poem, as Poe lived and died in Baltimore.
Vincent Price's The Raven
Glenn Beck reads The Raven
Tuesday, January 28, 2020
The Word "Serendipity" on This Day in History
words ever...perhaps 2200 new words.
See also:
20 Words We Owe to Shakespeare
The Romance of the English Language by Logan P Smith 1921
The Best Victorian Literature, Over 100 Books on DVDrom
Monday, January 27, 2020
Horror Writer Dorothy Scarborough on This Day in History
This work is certainly valuable in finding old ghost stories that many may have forgotten about. This, alongside HP Lovecraft's "Supernatural Horror in Literature" are some of the best early works dealing with this topic.
Read The Supernatural in Modern English Fiction
As stated in the Introduction: "There is scarcely any great author in European literature, old or new, who has not distinguished himself in his treatment of the supernatural. In English literature I believe there is no exception from the time of the Anglo-Saxon poets to Shakespeare, and from Shakespeare to our own day. And this introduces us to the consideration of a general and remarkable fact, a fact that I do not remember to have seen in any books, but which is of very great philosophical importance: there is something ghostly in all great art, whether of literature, music, sculpture, or architecture. It touches something within us that relates to infinity."
Sunday, January 26, 2020
The Lincoln Automobile on This Day in History
See also:
Lincoln tops new tally of auto satisfaction
The most and least reliable car brands
Saturday, January 25, 2020
The Big Short, the Fed, and the Market (The film's dangerous lack of clarity)
The Big Short — based on Michael Lewis’s bestselling book on the 2008 financial crisis — is both great and terrible. It’s wonderful as a narrative of a financial mania. It’s terrible if seen as a complete treatment of that mania’s underlying causes or a path to future solutions.
There’s no question that the movie is significant and is being pushed as the go-to film for the key economic event of our times. Two New York Times film critics think the film ought to be considered for a Best Picture Oscar. Paul Krugman agrees, writing: “I think it does a terrific job of making Wall Street skulduggery entertaining… the movie gets the essentials of the financial crisis right.”
Why Market-Haters Cheer
Krugman and friends like the film because it leaves out any discussion of the main culprit behind the financial crisis, which was not Wall Street “greed” but bad monetary and credit policies from the Federal Reserve and the federal government. The movie barely hints at any exogenous factors behind the boom or bust. (This FEE report by Peter Boettke and Steven Horwitz fills in the missing information.)
So the pro-regulation crowd is cheering. Viewers are given no understanding of the real causal factors and hence fill in the missing data with a feeling that banks just love ripping people off.
To be sure, if you approach this movie with some knowledge of economics and monetary policy, the rest of the narrative makes sense. Of course Wall Street got it wrong, given Washington’s policies on mortgage lending!
However, if this were your one and only exposure to the history of the crisis, and knew nothing beyond it, it is easy to see how a person could walk away thinking: “Wow, Wall Street and the capitalist system are rackets that desperately need controlling by a powerful government.”
But it’s an odd message to read into the story, since the movie also nicely shows how the large banking firms, investment houses, rating agencies, and regulators all worked together, riding the boom as high as possible and delaying the correction until the last possible moment.
How new regulations would fix this is not entirely clear — who regulates the regulators?
The Merit of the Movie
The Big Short’s biggest virtue is explaining the weird financial products that made such a splash before the bust. It does a terrific job in explaining how a mortgage-backed security (MBS) works, and how it mutated into a collateralized debt obligation (CDO) and then into a “synthetic CDO,” fobbed off on the markets as a quality investment.
As a pure piece of expository journalism, it performs a great service of stripping away the then-fashionable flimflam to reveal the underlying unsoundness of the housing bubble and financial boom of the 2000s.
Plus, any movie that can make financial markets and business cycles interesting and compelling is worthy of honorable mention at least. Such movies remind us how central economics is to the story of our lives. Economics is the theoretical template for understanding how human beings are faring in the struggle against poverty, insecurity, disease, and early death, which is why the subject is worthy of study by everyone.
There’s another thing to love about The Big Short. It subtly turns short sellers — the pessimists who bet against ever-rising financial valuations — into heroes. It’s about time. They have been demonized since the New Deal as enemies of the people. This movie shows that they are people willing to stick their necks out based on a contrarian opinion, and thereby perform the valuable service of tempering exuberance when it is unwarranted.
Strangely, the film rails against the greed and wealth of most of Wall Street, but ends up celebrating a handful of expert speculators who made billions betting against millions of unqualified homebuyers. Perhaps unintentionally, The Big Short defies decades of lefty rhetoric about short sellers, turning them into geniuses that deserved every bit of their earnings.
Krugman asks whether the movie gets the story right. His answer is yes, though he cautions that the causal links are not always made explicit. He is right about that. The Big Short is a great story without a coherent theory. Whatever theory you bring to the movie is the theory you will find reinforced by the narrative.
Krugman’s left-wing Keynesian perspective can be read into the movie, but so can the market-based story of how the crash of an artificially inflated housing sector brought down some of the most powerful players on Wall Street. The Big Short is a kind of Rorschach test for one’s underlying theoretical presuppositions.
The Missing Narrative
Without a robust theory, The Big Short treats most of the trading activity before the crash as little more than malicious scamery. The traders thought they had found some magic pathway to infinite wealth and became horribly cynical about it all, pushing worthless securities on unsuspecting buyers. It’s this perception that has been behind the calls for criminal prosecution for the heads of banks and brokerage houses.
For a more realistic look, and a more humane understanding of the way financial markets work, the 2011 film Margin Call provides an excellent inside look at one dramatic day from the inside of a money-management firm.
These firms were not, on the whole, driven by criminal malfeasance. Instead, they were obeying the market signals they had on hand, as is their job. They had cobbled together a model that presumed that past behavior would persist into the future. This model worked — until it did not.
At this point, it was a matter of life and death of the business. The rush to get out before the crash led to vast selling of soon-to-be worthless securities at current market prices. When the securities fell to zero price, heads rolled — and then the most powerful players in the industry were bailed out by politicians driving truckloads of taxpayer cash.
Margin Call showed that the financial market was working as it should, following the profit and loss signals where they were pointing at the time. The movie is also just as interesting, if not more so, than The Big Short. The drama is intense and thrilling for anyone with the slightest interest in finance.
The question that neither The Big Short nor Margin Call address is the one everyone should be asking: how did so many smart people get it so wrong for so long? Here is where we must deal with the delicate signaling system of interest rates and the way they came to be so distorted through 1) Fed policy, 2) subsidized lending, and 3) the recklessness of traders in the face of too-big-to-fail policies.
The Money Machine
To understand this, we must leave the realm of fun “based on a true story” movies and point to a more serious documentary. The best one available is Money for Nothing: Inside the Federal Reserve (2013). This documentary interviews top Fed officials in Washington, D.C., and the regional banks. It follows the career of Alan Greenspan and Ben Bernanke and their shifting views on the proper role of monetary policy.
Here we find the proof of the real source of the problem. Following the terror attacks on September 11, 2001, and the wars that followed, the Fed embarked on its first round of stimulus as a matter of funding the spending spree and demonstrating national resilience.
The Fed started dropping rates, further and further, subsidizing lending and promoting a wild anything-goes atmosphere. Government-backed lending agencies were pushed to become buyers for any and every new mortgage. Home ownership itself had become a doctrine of the civic religion, and the whole of the regulatory, monetary, and bureaucratic state was there to enforce it.
The result was a mass cluster of errors going up and another cluster of errors coming down. And this is precisely what cries out to be explained. Of course, market traders can be wrong. But why was most everyone wrong? Why were their errors centered on housing and not some other sector? And why were they wrong on housing in this period and not previously? Any explanation that does not deal with these questions directly is not really getting to the core of the problem that needs to be explained.
Depending on the knowledge you bring to it, The Big Short — as entertaining as it is — can be extremely misleading. Not wrong. Just incomplete. Anyone who tries to sell an explanation of the 2008 financial crisis that does not mention the Fed is no more trustworthy than a trader who offered to sell you an MBS at top dollar in 2007.
Why should we care about how the 2008 crisis is interpreted? As with the 1929 crash, the story we tell has much to do with the policies that are created later. If 2008 was the failure of capitalism, massive new regulations, controls, and taxes might make sense. If 2008 traces to centralized mismanagement of money and banking, a very different policy follows.
Jeffrey A. Tucker
This article was originally published on FEE.org. Read the original article.
Al Capone on This Day in History
See also: 16 prisons that have been transformed into luxury hotels
Friday, January 24, 2020
Apple Computers on This Day in History
This Day In History: Apple Computer placed the Macintosh personal computer on sale on this day in 1984. The Apple stock ($APPL) price in the IPO (Initial Public Offering) was $22 back then. Today the share price is $317. The most expensive stock is Berkshire Hathaway ($BRK) at $341,225.00. Amazon ($AMZN) is now trading at over $1800 and Tesla ($TSLA) is the new hot stock. If you can't afford to buy these stocks, you can actually buy a portion of these stocks. So let's say you only want to buy $5 worth of an Apple share, you can do that. Stash, M1 Finance and I believe Interactive Brokers allow you to buy Fractional Shares.
Thursday, January 23, 2020
Salvador Dali on This Day in History
Wednesday, January 22, 2020
Francis Bacon on This Day in History
Buy this book at https://www.amazon.com/Know-All-Humble-Become-Smartest/dp/0743250621/
“Against cold meats was he insured?
For frozen chickens he procured —
brought on the illness he endured,
and never was this Bacon cured.”
Tuesday, January 21, 2020
The DeLorean Sports Car on This Day in History
This Day In History: The production of the iconic DeLorean sports car began in Northern Ireland on this day in 1981, and anyone who's watched Back to the Future knows what a Delorean is. If you've ever wondered why you never actually seen one on the streets at the time, it is because the car sucked. The car’s small engine only produced 130 horsepower, and the stainless steel paneling that gave it such a great look was heavy. The dye from the floor mats would rub off onto shoes and the famous gull-wing doors had a habit of becoming stuck. When Johnny Carson took one for a test drive around the block it broke down. Raising capital to build the car was troublesome as well. John Delorean was caught with $24 million worth of cocaine he wanted to use to fund his dream car. The legal troubles that ensued made him sell his 500-acre New Jersey estate to Donald Trump. John Delorean (the man who also gave us the Firebird and the GTO) died in 2005 in a one bedroom apartment.
Monday, January 20, 2020
A Reviewers Notebook: The Businessman in American Literature
We do make some progress. Just when TV is being charged with perpetuating the ancient stereotype of the businessman as Con Man and Scrooge, Emily Stipes Watts, a professor of English at the University of Illinois, has discovered a new attitude toward business among American novelists. Her evidence, presented in considerable detail in her The Businessman in American Literature (Athens, GA, The University of Georgia Press, 183 pp., $16.00), depends on a corporal’s guard of novelists—Stanley Elkin, James Dickey, Ken Kesey—who are hardly household names; and “corporate capitalism,” as something distinct from small business, gets few plus marks even from a new breed of writer that has turned against the socialists. But the air, in Emily Watts’ pages, is cleared of a lot of cant as she moves toward her conclusion that “private capitalism provides the framework for a pluralistic society in which the individual and the civitas are suspended in a paradoxical but healthy relationship.”
To be sure, American writers for long periods of time have not been concerned with business as such. Herman Melville’s Moby Dick describes the whaling ship as a factory for killing and processing whales, and greed is undeniably a motive in financing the whale-catching voyage of the Pequod. But Melville was only incidentally concerned with the utilitarian worries of whale ship proprietors. What really interested him was the metaphysical monomania of his Captain Ahab. Melville, along with Thoreau and Emerson and the Transcendentalists of the pre-Civil War Golden Day, was troubled with larger questions of Good and Evil in a world in which Sam Slick, Johnson Hooper’s rascally character, could anticipate pragmatism with his “It’s good to be shifty in a new country.”
Authorship, in pre-industrial times, had been bound up with aristocratic patronage, and the writer in America was faced with a make-do situation .simply because there were no noble lords in a new society to pay a scribbler’s way. Mark Twain, Henry James and William Dean Howells, the Big Three of post-Civil War times, did the best they could in an insensitive world. Twain was a tramp printer; Howells got his writing start by producing a hack campaign biography for Abraham Lincoln, which led to a political appointment as consul. Twain had his fun with business villains in The Gilded Age, but he was personally entranced with inventors and with the Yankee ingenuity of his Connecticut mechanic who visited the court of King Arthur.
Henry James, the novelist who wrote like a philosopher while his brother William, the philosopher, was writing like a novelist, did not hate business as such. He merely deplored the fact that in its native form it left Christopher Newman of The American (1877) very little time for culture.
As for Howells, his ethical preoccupation led to an early dalliance with Edward Bellamy-style socialism. What bothered Howells about his entrepreneurial Silas Laphams and Jacob Dryfooses, millionaires, was the atrophy of their generous instincts in pursuit of success. What escaped Howells was the fact that Silas Lapham’s paint had both utilitarian and esthetic uses that justified the business that produced it, and what escaped James was the circumstance that Christopher Newman had first to earn the money that enabled him to take his cultural Wanderjahr in Europe.
Signs of Envy
The American fiction writer was anti-bourgeois before he was pro-socialist. Writers belonged to Grub Street, and if they could not catch on in journalism their natural habitat was the garret where idealism had to struggle to repress envy. Naturally they saw business largely from the outside. Dreiser could be both fascinated and repelled by the amoral energies of Frank Cowperwood, his fictional traction magnate of The Titan, but he missed the point that it was a truly responsible man, Thomas Edison, who had brought electricity to the cities and made the five-cent fare possible even in spite of monopolistic financiers.
The anti-bourgeois writer easily went over to socialism. Upton Sinclair saw only a vicious spirit of competition in the Chicago packers who disassembled hogs without hearing “the hog- squeal of the universe.” Sinclair changed the law as it affected sanitary conditions in Packingtown, but he was not satisfied with that. Frank Norris, in depicting the Southern Pacific Railroad as an “octopus,” tried to take solace in the fact that the wheat of the San Joaquin valley got to market despite the railroad robber barons. But he was troubled by the gambling element involved in marketing the wheat once it was out of the grain elevators and off the trains.
With Sinclair Lewis, who had gone to college in the muckrake era, the derogation of the businessman took on a Menckenian finesse. Babbitt believed in go-getting, and he skirted the edge of sharp practice. But he had his pathetic side. He was not the heartless capitalist of the proletarian novels, and he was aware of the shallowness of his life. He could return from his fishing trips in the Maine woods with new resolutions which he quickly forgot.
Gertrude Stein’s Influence
Emily Watts, with an ear for nuance, credits Gertrude Stein, Ernest Hemingway’s mentor, with a most influential defense of private capitalism in the mid-Thirties. Writing in the Saturday Evening Post, Miss Stein asked a simple question, “Is Money Money or Isn’t Money Money? . . . . When you earn money and spend money,” she said, “anybody can know the difference between a million and three. But when you vote money away there isn’t any difference between a million and three.”
That put Gertrude Stein in the anti-Keynesian, anti-Marxian camp, and it seemed to pull other ex-radical writers (E. E. Cummings, John Dos Passos) with her. The fictional businessman Merton was provided with some quite convincing lines by Edna St. Vincent Millay in her long poem, “Conversation at Midnight.” With Gertrude Stein pointing the way, the “lost generation” managed by degrees to find themselves on the side of common sense. The businessman in fiction became as other people, a human being to be judged in terms of his own sensibilities, which might be those of any professional faced with the necessity of both making a living and discharging his duties as a citizen.
Emily Watts is a deft researcher and excellent summarizer, but she has overlooked some points. She sets Willa Cather down as anti-business on the basis of Cather short stories, but it was a businessman, Fred Ottenburg, who pushed the operatic career of Thea Kronborg in Cather’s The Song of the Lark. And one looks in vain in Emily Watts’ book for the name of Garet Garrett, who, in addition to his purely economic writing, gave us some remarkable novels about business. Garrett’s The Driver, a novel based on the life of E. H. Harriman of the Union Pacific, was surely worth a glance. And ditto for Booth Tarkington’s The Plutocrat.
John Chamberlain (1903-1995) was an American journalist, business and economic historian, and author of number of works including The Roots of Capitalism (1959). Chamberlain also served as a founding editor of The Freeman magazine.
To be sure, American writers for long periods of time have not been concerned with business as such. Herman Melville’s Moby Dick describes the whaling ship as a factory for killing and processing whales, and greed is undeniably a motive in financing the whale-catching voyage of the Pequod. But Melville was only incidentally concerned with the utilitarian worries of whale ship proprietors. What really interested him was the metaphysical monomania of his Captain Ahab. Melville, along with Thoreau and Emerson and the Transcendentalists of the pre-Civil War Golden Day, was troubled with larger questions of Good and Evil in a world in which Sam Slick, Johnson Hooper’s rascally character, could anticipate pragmatism with his “It’s good to be shifty in a new country.”
Authorship, in pre-industrial times, had been bound up with aristocratic patronage, and the writer in America was faced with a make-do situation .simply because there were no noble lords in a new society to pay a scribbler’s way. Mark Twain, Henry James and William Dean Howells, the Big Three of post-Civil War times, did the best they could in an insensitive world. Twain was a tramp printer; Howells got his writing start by producing a hack campaign biography for Abraham Lincoln, which led to a political appointment as consul. Twain had his fun with business villains in The Gilded Age, but he was personally entranced with inventors and with the Yankee ingenuity of his Connecticut mechanic who visited the court of King Arthur.
Henry James, the novelist who wrote like a philosopher while his brother William, the philosopher, was writing like a novelist, did not hate business as such. He merely deplored the fact that in its native form it left Christopher Newman of The American (1877) very little time for culture.
As for Howells, his ethical preoccupation led to an early dalliance with Edward Bellamy-style socialism. What bothered Howells about his entrepreneurial Silas Laphams and Jacob Dryfooses, millionaires, was the atrophy of their generous instincts in pursuit of success. What escaped Howells was the fact that Silas Lapham’s paint had both utilitarian and esthetic uses that justified the business that produced it, and what escaped James was the circumstance that Christopher Newman had first to earn the money that enabled him to take his cultural Wanderjahr in Europe.
Signs of Envy
The American fiction writer was anti-bourgeois before he was pro-socialist. Writers belonged to Grub Street, and if they could not catch on in journalism their natural habitat was the garret where idealism had to struggle to repress envy. Naturally they saw business largely from the outside. Dreiser could be both fascinated and repelled by the amoral energies of Frank Cowperwood, his fictional traction magnate of The Titan, but he missed the point that it was a truly responsible man, Thomas Edison, who had brought electricity to the cities and made the five-cent fare possible even in spite of monopolistic financiers.
The anti-bourgeois writer easily went over to socialism. Upton Sinclair saw only a vicious spirit of competition in the Chicago packers who disassembled hogs without hearing “the hog- squeal of the universe.” Sinclair changed the law as it affected sanitary conditions in Packingtown, but he was not satisfied with that. Frank Norris, in depicting the Southern Pacific Railroad as an “octopus,” tried to take solace in the fact that the wheat of the San Joaquin valley got to market despite the railroad robber barons. But he was troubled by the gambling element involved in marketing the wheat once it was out of the grain elevators and off the trains.
With Sinclair Lewis, who had gone to college in the muckrake era, the derogation of the businessman took on a Menckenian finesse. Babbitt believed in go-getting, and he skirted the edge of sharp practice. But he had his pathetic side. He was not the heartless capitalist of the proletarian novels, and he was aware of the shallowness of his life. He could return from his fishing trips in the Maine woods with new resolutions which he quickly forgot.
Gertrude Stein’s Influence
Emily Watts, with an ear for nuance, credits Gertrude Stein, Ernest Hemingway’s mentor, with a most influential defense of private capitalism in the mid-Thirties. Writing in the Saturday Evening Post, Miss Stein asked a simple question, “Is Money Money or Isn’t Money Money? . . . . When you earn money and spend money,” she said, “anybody can know the difference between a million and three. But when you vote money away there isn’t any difference between a million and three.”
That put Gertrude Stein in the anti-Keynesian, anti-Marxian camp, and it seemed to pull other ex-radical writers (E. E. Cummings, John Dos Passos) with her. The fictional businessman Merton was provided with some quite convincing lines by Edna St. Vincent Millay in her long poem, “Conversation at Midnight.” With Gertrude Stein pointing the way, the “lost generation” managed by degrees to find themselves on the side of common sense. The businessman in fiction became as other people, a human being to be judged in terms of his own sensibilities, which might be those of any professional faced with the necessity of both making a living and discharging his duties as a citizen.
Emily Watts is a deft researcher and excellent summarizer, but she has overlooked some points. She sets Willa Cather down as anti-business on the basis of Cather short stories, but it was a businessman, Fred Ottenburg, who pushed the operatic career of Thea Kronborg in Cather’s The Song of the Lark. And one looks in vain in Emily Watts’ book for the name of Garet Garrett, who, in addition to his purely economic writing, gave us some remarkable novels about business. Garrett’s The Driver, a novel based on the life of E. H. Harriman of the Union Pacific, was surely worth a glance. And ditto for Booth Tarkington’s The Plutocrat.
John Chamberlain
This article was originally published on FEE.org. Read the original article.
Hong Kong on This Day in History
This Day in History: Hong Kong Island was occupied by the British on this day in 1841. I think Hong Kong is amazing. I have a Hong Kong skyline desktop wallpaper that is beautiful to me. Hong Kong has more skyscrapers than New York*, and much of its architecture is built with Feng Shui in mind. There are even feng shui consultants, which can be a lucrative job. Some buildings have large holes cut out of the center called Dragon Gates. The belief is that dragons, which live behind the city in the mountains will be able to fly through the openings and into the water. If their flight is blocked, bad luck will befall any buildings in their way. The escalators in the lobby of the HSBC building are positioned at an odd angle to fend off bad energy.
*Hong Kong has also officially surpassed New York City as the place with the highest concentration of super wealthy people.
Sunday, January 19, 2020
Socialist Philosopher Auguste Comte on This Day in History
The Altruism of Auguste Comte by Julius Lloyd 1884
https://thebookshelf2015.blogspot.com/2018/06/auguste-comtes-peculiar-form-of.html
What Ayn Rand Meant by Altruism
https://fredericbastiat1850.blogspot.com/2017/12/what-ayn-rand-meant-by-altruism.html
Saturday, January 18, 2020
Winnie the Pooh on This Day in History
This Day in History: Today is Winnie the Pooh Day. Winnie the Pooh is not the only fictional character to have a day named for him. Others are: G.I. Joe Day (Feb 1), Robinson Crusoe Day (Feb 1), Mother Goose Day (May 1), Donald Duck Day (June 9), Paul Bunyan Day (June 28), Frankenstein Day (Aug 30), Hobbit Day (Sept 22), and Mad Hatter Day (Oct 6). There are many fictional holidays as well, such as First Contact Day (Star Trek), The Purge (March 21), Winter Veil (Warcraft), Scotchtoberfest (The Simpsons) and Unification Day (Firefly).
Friday, January 17, 2020
Popeye the Sailor Man on This Day in History
Watch the Popeye Cartoon
This Day in History: Popeye the Sailor Man first appeared in a comic strip on this day in 1929. Popeye has been credited with a boost in spinach sales, and Crystal City, Texas (a spinach growing region) has a statue erected in his honor. Quaker oatmeal tried to adopt Popeye in a marketing campaign in the 80's with the catchphrase “I'm Popeye the Quaker Man” but Christian Quakers objected. The live-action Popeye (1980) movie was Robin Williams' first starring role in a film.
Thursday, January 16, 2020
Edward Gibbon on This Day in History
Read: The History of the Decline and Fall of the Roman Empire
Wednesday, January 15, 2020
Coca Cola on This Day in History
originally was cocaine in Coca Cola, but very little. The main difference between Coke and Pepsi is that Pepsi contains citric acid, while Coke does not. Coke has a little more sodium than Pepsi, and
Pepsi has more calories, sugar, and caffeine. According to my trading app, Coke (KO) trades for $55.97, and Pepsi (PEP) trades for $136.56 and both are dividend stocks.
Tuesday, January 14, 2020
Ray Kroc on This Day in History
The 1971 Mcdonald's commercial (see above) has a jingle written by Barry Manilow and it stars John Amos from Good Times and Potsie from Happy Days.
Monday, January 13, 2020
The Sunken Steamship Lexington on This Day in History
See also: The Mysteries of the Sea, 200 PDF Books on DVDrom
Thursday, January 2, 2020
The 55 MPH Speed Limit On This Day in History
This Day In History: President Richard Nixon signed a bill lowering the maximum U.S. speed limit to 55 MPH in order to conserve gasoline on this day in 1973. According to Milton Friedman, Nixon, despite being a Republican (the party of small government) "was the most socialist of the presidents of the United States in the 20th century." He adds "his ideas were not socialist, quite the opposite, but if you look at what happened during his administration, first of all, the number of pages in the Federal Register, which is full of regulations about business, doubled during his regime. During his regime the EPA, the Environmental Protection Agency, was established and the OSHA, the Occupational Safety and Health Administration, the OECA [the Office of Enforcement and Compliance Assurance of the EPA] -- about a dozen, a half-dozen alphabetic agencies were established so that you had the biggest increase in government regulation and control of industry during the Nixon administration that you had in the whole postwar period." There was also Wage and Price controls.
Wednesday, January 1, 2020
The Arpanet/Internet On This Day in History
After the defense department got involved, it was still companies like Honeywell and Bolt Beranek Newman (a tiny company) that made headway on making the internet work."~Michael S. Rozeff
See also http://johnrlott.blogspot.com/2012/07/gordon-crovitz-who-really-invented.html
https://pjmedia.com/instapundit/147177/
https://libertyclassroom.com/did-government-really-invent-the-internet/
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